Maisie Kitson

My work is largely inspired by human and organic forms, I find charm in the imperfections and the subtle shapes that can change a piece completely. I want my work to feel playful and inviting. My journey with clay began when I was trying to reconnect with myself through art, I found traditional approaches to be too structured and limiting. The tactile and playful nature of clay allows me to experiment with no boundaries. I often draw inspiration from the process, starting with a bag of clay and ending with a piece of artwork is a beauty in itself. Choosing colour comes last for me, after watching the sculpture come to life and develop its own being. Adding colour to a piece is the defining moment, whether that means to leave a piece completely raw, or bringing something new by painting it. I like the idea that when you touch a piece of art you connect with the artist; every inch of the artwork has been touched or thought about by its creator.

Instagram: @maisiekitson

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Where would you like your work to take you?

Eventually I’d like sculpting to become my only profession, being able to dedicate all my time to my practice. I like the idea of being able to share my work with more people too, since falling in love with clay it has given me some great opportunities, and to be able to inspire like minded people would be very rewarding.

Which part of your creative process do you enjoy most?

Hand building has become therapeutic for me and I enjoy the solidarity of being a ceramic artist, finding an outlet has grounded me a lot.

Where do you draw inspiration from?

Clay has a mind of its own and I try to follow the form it naturally falls into, so it differs from piece to piece; for example my ‘olive vase’ was inspired by the female form and I started with a plan, other work like my ‘moving parts’ sculpture didn’t have a set out plan. It was inspired by the clay itself. The way clay can collapse without the proper support, instead of forcing it in a different direction, I exaggerate it, letting the clay form itself.

What piece of music would you say compliments your work the most?

I’ve never really given much thought to this. But I’d say the album Trouble by Ray Lamontagne. I was first introduced to his music through my mum and I often have it playing while I work.

Can you list a couple other creatives/friends/people you look to for inspiration?

I live with two photographers @chiversss and @jamesadavies_, their practice brings me a lot of inspiration. The abstract nature of photography their work portrays, they have a sense of awareness that brings meaning to the meaningless. This has made me acknowledge things I wouldn’t usually notice.

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Ollie Godwin